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dc.contributor.authorBadenhorst-Roux, Toinette
dc.date.accessioned2009-03-04T13:58:01Z
dc.date.available2009-03-04T13:58:01Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/10394/1385
dc.descriptionThesis (M.A. (Applied Language and Literary Studies))--North-West University, Potchefstroom Campus, 2006
dc.description.abstractThis dissertation attempts a Bakhtinian analysis of the polyphonic dialogue between Joseph Conrad's Heart of Darkness, Francis Ford Coppola's Apocalypse Now, Karel Schoeman's Na die Geliefde Land and Jason Xenopoulos' Promised Land. Specific Bakthinian concepts are employed to determine whether the films are "apt" adaptations of the literary texts; how the stylistically hybrid texts engage in conversation with different movements, genres and trends; how the polyphonic conversations between different texts and discourses, such as literature and film, or colonialism and postcolonialism, can provide insight into the variety of discourses, textual and ideological, of a postcolonial, post-apartheid South Africa; and how identity crises experienced by key characters can be explained using the notions of hybridity, "The Marginal Man" and liminality. All four texts have key characters that experience identity crises that spring from cultural hybridity; their cultural hybridity has the potential to either render them marginally stagnant or lead them to liminally active participation within their imagined communities. This dissertation argues that even though there are major differences between the films and the literary texts they are based upon, they are relevant to a specific target audience and therefore enrich the ur-texts. Salient characteristics of realism, symbolism, impressionism, modernism, postmodernism, postcolonialism and the apocalyptic dialogise one another within the four texts, thereby liberating the texts from one authorial reading. The dialogue between the discourses of literature and film supplement an understanding of the dialogue between war, imperialism, colonialism, postcolonialism and the Will to Power.
dc.publisherNorth-West University
dc.subjectMikhail Bakhtinen
dc.subjectDialogicsen
dc.subjectDialogismen
dc.subjectPolyphonyen
dc.subjectPolyphonicen
dc.subjectHybriden
dc.subjectHybridityen
dc.subjectIdentityen
dc.subjectMarginalen
dc.subjectJoseph Conraden
dc.subjectHeart of Darknessen
dc.subjectFrancis Ford Coppolaen
dc.subjectApocalypse Nowen
dc.subjectApocalypse Now Reduxen
dc.subjectKarel Schoemanen
dc.subjectJason Xenopoulosen
dc.subjectPromised Landen
dc.titlePolyphonic conversations between novel and film : Heart of darkness and Apocalypse now ; Na die geliefde land and Promised land / Toinette Badenhorst-Rouxen
dc.typeThesisen
dc.description.thesistypeMasters


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    This collection contains the original digitized versions of research conducted at the North-West University (Potchefstroom Campus)

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