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Polyphonic conversations between novel and film : Heart of darkness and Apocalypse now ; Na die geliefde land and Promised land / Toinette Badenhorst-Roux

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dc.contributor.author Badenhorst-Roux, Toinette
dc.date.accessioned 2009-03-04T13:58:01Z
dc.date.available 2009-03-04T13:58:01Z
dc.date.issued 2006
dc.identifier.uri http://hdl.handle.net/10394/1385
dc.description Thesis (M.A. (Applied Language and Literary Studies))--North-West University, Potchefstroom Campus, 2006
dc.description.abstract This dissertation attempts a Bakhtinian analysis of the polyphonic dialogue between Joseph Conrad's Heart of Darkness, Francis Ford Coppola's Apocalypse Now, Karel Schoeman's Na die Geliefde Land and Jason Xenopoulos' Promised Land. Specific Bakthinian concepts are employed to determine whether the films are "apt" adaptations of the literary texts; how the stylistically hybrid texts engage in conversation with different movements, genres and trends; how the polyphonic conversations between different texts and discourses, such as literature and film, or colonialism and postcolonialism, can provide insight into the variety of discourses, textual and ideological, of a postcolonial, post-apartheid South Africa; and how identity crises experienced by key characters can be explained using the notions of hybridity, "The Marginal Man" and liminality. All four texts have key characters that experience identity crises that spring from cultural hybridity; their cultural hybridity has the potential to either render them marginally stagnant or lead them to liminally active participation within their imagined communities. This dissertation argues that even though there are major differences between the films and the literary texts they are based upon, they are relevant to a specific target audience and therefore enrich the ur-texts. Salient characteristics of realism, symbolism, impressionism, modernism, postmodernism, postcolonialism and the apocalyptic dialogise one another within the four texts, thereby liberating the texts from one authorial reading. The dialogue between the discourses of literature and film supplement an understanding of the dialogue between war, imperialism, colonialism, postcolonialism and the Will to Power.
dc.publisher North-West University
dc.subject Mikhail Bakhtin en
dc.subject Dialogics en
dc.subject Dialogism en
dc.subject Polyphony en
dc.subject Polyphonic en
dc.subject Hybrid en
dc.subject Hybridity en
dc.subject Identity en
dc.subject Marginal en
dc.subject Joseph Conrad en
dc.subject Heart of Darkness en
dc.subject Francis Ford Coppola en
dc.subject Apocalypse Now en
dc.subject Apocalypse Now Redux en
dc.subject Karel Schoeman en
dc.subject Jason Xenopoulos en
dc.subject Promised Land en
dc.title Polyphonic conversations between novel and film : Heart of darkness and Apocalypse now ; Na die geliefde land and Promised land / Toinette Badenhorst-Roux en
dc.type Thesis en
dc.description.thesistype Masters


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    This collection contains the original digitized versions of research conducted at the North-West University (Potchefstroom Campus)

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