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dc.contributor.authorSwanepoel, Rilette
dc.date.accessioned2017-05-17T06:15:47Z
dc.date.available2017-05-17T06:15:47Z
dc.date.issued2016
dc.identifier.citationSwanepoel, R. 2016. Ars Non Scribendi as artwork of the absent: the art of not writing in Ivan Vladislavić’s The Loss Library. English Studies in Africa, 59(2):41–53. [http://dx.doi.org/10.1080/00138398.2016.1239417]
dc.identifier.issn0013-8398
dc.identifier.issn1943-8117 (Online)
dc.identifier.urihttp://hdl.handle.net/10394/24805
dc.identifier.urihttp://dx.doi.org/10.1080/00138398.2016.1239417
dc.description.abstractIn The Loss Library and Other Unfinished Stories (2011), Ivan Vladislavić takes his characteristic genre experimentation to a new extreme. Presenting story ideas, bits of research and anecdotes, he interrogates several literary genres, but the volume as a whole has few obvious generic antecedents. Here I briefly consider the established literary genres that the author explores, and argue that the text is closer to a type of fine arts and artefacts that has always fascinated Vladislavić: those that commemorate loss. To refer to what he does in The Loss Library, I coin the term ars non scribendi – the art of not writing – as the inverse of ars poetica, the closest genre to (almost) accommodate the text. Encouraged by Vladislavić calling Micha Ullman an artist of the absent, I call the genre of The Loss Library and these other works ‘art of the absent’. Aligning Vladislavić’s ars non scribendi with artworks that he has written about in non-fiction or invented in his fiction, I show that the book represents and mourns loss, and conclude that The Loss Library’s genre-transcendence gives form to loss and absence.
dc.language.isoen
dc.publisherTaylor & Francis
dc.titleArs Non Scribendi as artwork of the absent: the art of not writing in Ivan Vladislavić’s The Loss Library
dc.typeArticle
dc.contributor.researchID10868720 - Swanepoel, Aletta Catharina


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