mirage

The treatment of historical space in selected works by Thomas Pynchon / W. Kapp

Boloka/Manakin Repository

Show simple item record

dc.contributor.author Kapp, Werner
dc.date.accessioned 2009-02-11T14:27:31Z
dc.date.available 2009-02-11T14:27:31Z
dc.date.issued 2004
dc.identifier.uri http://hdl.handle.net/10394/672
dc.description Thesis (M.A. (English))--North-West University, Potchefstroom Campus, 2005.
dc.description.abstract This dissertation uses the concept of various "spaces" in a literary work to attain a historical perspective on selected works by Thomas Pynchon: The Crying of Lot 49 (1966); Gravity's Rainbow (1973) and Mason & Dixon (1997). The historical space forms the focal point for a discussion, since history is an important theme in Pynchon's novels. Different views of history can be constructed from each text by noting the interaction of the spaces and how they relate to the historical space. The Crying of Lot 49 focuses on the individual in relation to history from a post Second World War perspective. Gravity's Rainbow concentrates on the Second World War and war in general as a metaphor for the twentieth century and how this is situated historically. Mason & Dixon reaches further into history to the eighteenth century as the "Age of Reason" to explore it from postmodernism. Throughout shifts in emphasis the spaces in each novel can be successfully used to bring the theme of history to the fore and analyse it.
dc.publisher North-West University
dc.title The treatment of historical space in selected works by Thomas Pynchon / W. Kapp en
dc.type Thesis en
dc.description.thesistype Masters


Files in this item

This item appears in the following Collection(s)

  • ETD@PUK [5486]
    This collection contains the original digitized versions of research conducted at the North-West University (Potchefstroom Campus)

Show simple item record

Search the NWU Repository


Advanced Search

Browse

My Account

Statistics