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dc.contributor.advisorDe Klerk, B.J.
dc.contributor.advisorDu Plooy, H.J.G.
dc.contributor.authorBingle, Johannes Petrusen_US
dc.date.accessioned2012-09-10T16:21:09Z
dc.date.available2012-09-10T16:21:09Z
dc.date.issued2011en_US
dc.identifier.urihttp://hdl.handle.net/10394/7324
dc.descriptionThesis (Ph.D. (Liturgics))--North-West University, Potchefstroom Campus, 2012.
dc.description.abstractIn this study it is assumed from a central theoretical argument that the Bible based, scripturally true liturgical song, possesses an exceptional bonding structure. The set literary archetypes of the dramatic, epic and lyric - or the dramatical, epical and lyrical - are woven together to form the canvas for the hymnical praise of the worshipping community. The aim of the study is to dissect the relationship in which the archetypes stand to one another and to establish which trans–generical phenomena and movements can be detected in order to determine what their meaning is for liturgical songwriting. This is done on the basis of an analysis of the Book of Revelation, specifically pertaining to the hymnographical corpus in the book. To do this the most obvious meta–theory of this study is the literary theory, while the basis, principles and guidelines of the hymnographical basistheory are determined by theological biblical science. In the first main chapter (meta–theory) of the study the questions of what literature is and whether the Bible is literature, are explored and answered. The conclusion to this is that the Bible is true literature and that this religious script plays a central, unique and prominent role in the progression of the christian–western cultural world. In the process of determining the different approaches to the study of literature, note was taken of the various theoretical assumptions and theories and of the influence that each has and can have on theological biblical scientifical research. In the second main part (inter–disciplinary theoretical aspects) the investigation proceeds from the study of meta–theoretical literary terrain identification to the determining of the connection, link, sym–biosis and synergy between the literary meta–theory and the theological basistheory of this study. Shared and partly overlapping study terrains of the literary sciences and the bibilical sciences are explored. This leads to the demarcation of both an inter–disciplinary and multi-subdisciplinary field of study, for which an approach and a method to further explore had to be developed. In the third main part (basis theory) the perspectives gained in the first two parts are unlocked to the advantage of the biblical scientifical study of Revelation. The last book of the Bible is analysed macro–structurally by means of a narratological reading and accompanied by a cursory–exegetic explanation, after which the meaning of the corpus of hymnical microtexts in their context within the macro–structure are further unlocked by means of detailed exegesis. In this way basis–theoretical hymnographical priniciples in Revelation can be identified. These are integrated in the fourth and last main part and are then concretised, using a song as example, in guidelines for hymnography. In this final main part (the outcome of the study) the investigation reaches its set aims as well as the overall goal in that it could be verified that the canvas of the liturgical song should be integrated successfully not only wordperfect, but also Wordperfect in all its facets through literary quality and biblical–principled motivation. This should allow the flame (= liturgical song) of the sacrifice of thanksgiving (= worship) to burn brightly in a time of diverse positions on church song.en_US
dc.publisherNorth-West University
dc.subjectLiturgical songen_US
dc.subjectDramaticen_US
dc.subjectEpicen_US
dc.subjectLyricen_US
dc.subjectGenreen_US
dc.subjectBook of Revelationen_US
dc.subjectEschatologgyen_US
dc.subjectWorshipen_US
dc.subjectHimnographyen_US
dc.subjectDoxologyen_US
dc.subjectLiturgiese lieden_US
dc.subjectDramatiesen_US
dc.subjectEpiesen_US
dc.subjectLiriesen_US
dc.subjectGenreen_US
dc.subjectOpenbaring(boek)en_US
dc.subjectEskatologieen_US
dc.subjectAanbiddingen_US
dc.subjectHimnografieen_US
dc.subjectDoksologieen_US
dc.titleDie dramatiese, epiese en liriese stramien van die liturgiese liedafr
dc.typeThesisen_US
dc.description.thesistypeDoctoralen_US


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