mirage

Die dramatiese, epiese en liriese stramien van die liturgiese lied / Johannes Petrus Bingle

Boloka/Manakin Repository

Show simple item record

dc.contributor.author Bingle, Johannes Petrus en_US
dc.date.accessioned 2012-09-10T16:21:09Z
dc.date.available 2012-09-10T16:21:09Z
dc.date.issued 2011 en_US
dc.identifier.uri http://hdl.handle.net/10394/7324
dc.description Thesis (Ph.D. (Liturgics))--North-West University, Potchefstroom Campus, 2012.
dc.description.abstract In this study it is assumed from a central theoretical argument that the Bible based, scripturally true liturgical song, possesses an exceptional bonding structure. The set literary archetypes of the dramatic, epic and lyric - or the dramatical, epical and lyrical - are woven together to form the canvas for the hymnical praise of the worshipping community. The aim of the study is to dissect the relationship in which the archetypes stand to one another and to establish which trans–generical phenomena and movements can be detected in order to determine what their meaning is for liturgical songwriting. This is done on the basis of an analysis of the Book of Revelation, specifically pertaining to the hymnographical corpus in the book. To do this the most obvious meta–theory of this study is the literary theory, while the basis, principles and guidelines of the hymnographical basistheory are determined by theological biblical science. In the first main chapter (meta–theory) of the study the questions of what literature is and whether the Bible is literature, are explored and answered. The conclusion to this is that the Bible is true literature and that this religious script plays a central, unique and prominent role in the progression of the christian–western cultural world. In the process of determining the different approaches to the study of literature, note was taken of the various theoretical assumptions and theories and of the influence that each has and can have on theological biblical scientifical research. In the second main part (inter–disciplinary theoretical aspects) the investigation proceeds from the study of meta–theoretical literary terrain identification to the determining of the connection, link, sym–biosis and synergy between the literary meta–theory and the theological basistheory of this study. Shared and partly overlapping study terrains of the literary sciences and the bibilical sciences are explored. This leads to the demarcation of both an inter–disciplinary and multisubdisciplinary field of study, for which an approach and a method to further explore had to be developed. In the third main part (basistheory) the perspectives gained in the first two parts are unlocked to the advantage of the biblical scientifical study of Revelation. The last book of the Bible is analysed macro–structurally by means of a narratological reading and accompanied by a cursory–exegetic explanation, after which the meaning of the corpus of hymnical microtexts in their context within the macro–structure are further unlocked by means of detailed exegesis. In this way basis–theoretical hymnographical priniciples in Revelation can be identified. These are integrated in the fourth and last main part and are then concretised, using a song as example, in guidelines for hymnography. In this final main part (the outcome of the study) the investigation reaches its set aims as well as the overall goal in that it could be verified that the canvas of the liturgical song should be integrated successfully not only wordperfect, but also Wordperfect in all its facets through literary quality and biblical–principled motivation. This should allow the flame (= liturgical song) of the sacrifice of thanksgiving (= worship) to burn brightly in a time of diverse positions on church song. en_US
dc.publisher North-West University
dc.subject Liturgical song en_US
dc.subject Dramatic en_US
dc.subject Epic en_US
dc.subject Lyric en_US
dc.subject Genre en_US
dc.subject Book of Revelation en_US
dc.subject Eschatologgy en_US
dc.subject Worship en_US
dc.subject Himnography en_US
dc.subject Doxology en_US
dc.subject Liturgiese lied en_US
dc.subject Dramaties en_US
dc.subject Epies en_US
dc.subject Liries en_US
dc.subject Genre en_US
dc.subject Openbaring(boek) en_US
dc.subject Eskatologie en_US
dc.subject Aanbidding en_US
dc.subject Himnografie en_US
dc.subject Doksologie en_US
dc.title Die dramatiese, epiese en liriese stramien van die liturgiese lied / Johannes Petrus Bingle en_US
dc.type Thesis en_US
dc.description.thesistype Doctoral en_US


Files in this item

This item appears in the following Collection(s)

  • ETD@PUK [5039]
    This collection contains the original digitized versions of research conducted at the North-West University (Potchefstroom Campus)

Show simple item record

Search the NWU Repository


Advanced Search

Browse

My Account

Statistics