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dc.contributor.author23459220 - Meihuizen, Nicholas Clive Titherley
dc.date.accessioned2012-10-03T07:44:59Z
dc.date.available2012-10-03T07:44:59Z
dc.date.issued2011
dc.identifier.citationMeihuizen, N.C.T. 2011. The poet, the philosopher and the birds: narrative, self and repetition in Richard Murphy. English Academy review: Southern African journal of English studies, 28(1):53-63. [http://www.tandfonline.com/toc/racr20/current]en_US
dc.identifier.issn1013-1752
dc.identifier.issn1753-5360 (Online)
dc.identifier.urihttp://hdl.handle.net/10394/7427
dc.descriptionThe journal of the English Academy of Southern Africaen_US
dc.description.abstractThis article draws on Richard Murphy's memoirs, The Kick (2002. London: Granta) and his poem 'Wittgenstein and the birds', from his Collected poems 1952-2000 (2001. Winston-Salem: Wake Forest University Press, p. 6) to try to define his particular approach to life writing, which I believe to be significantly different in its constructive premises from that of most other memoir-writers and autobiographers. That is, if most writers of memoirs check the events which they are narrating against their memories, 'notoriously fallible and open to schematization', as Jerome Bruner notes in Narrative and identity (2001. Selfmaking and world-making. eds. Jens Brockmeier and Donal Carbaugh, 25-38. Amsterdam and Philadelphia: John Benjamins, p. 28), or against the memories of family members and friends, Murphy draws on his contemporary notebooks, meticulously maintained over many years. Through this memorial and writerly resource he exerts his control over his material, a control always judiciously employed, in keeping with a partiality for what I call 'classical formalism' in his poetry. Memoir writing and poetry, in this respect, share in source material which, considering the initial care Murphy took in writing up his notebooks, impacts on present technical realization in an inherently aesthetic manner. The article concludes by considering the writerly and psychological implications of this control.en_US
dc.description.urihttp://dx.doi.org/10.1080/10131752.2011.574002
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.subjectArchive of fictionen_US
dc.subjectarchive of the realen_US
dc.subjectatomic factsen_US
dc.subjectautobiographical criticismen_US
dc.subjectDerridaen_US
dc.subjectformalismen_US
dc.subjectSeamus Heaneyen_US
dc.subjectIrish poetryen_US
dc.subjectWittgensteinen_US
dc.titleThe poet, the philosopher and the birds: narrative, self and repetition in Richard Murphyen_US
dc.typeArticleen_US


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