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Herkoms en identiteit in "Die swye van Mario Salviati" (Etienne van Heerden) en "De naam van de vader" (Nelleke Noordervliet) / M.E. Taljard

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dc.contributor.author Taljard, Maria Elizabeth
dc.date.accessioned 2009-02-18T05:58:29Z
dc.date.available 2009-02-18T05:58:29Z
dc.date.issued 2002
dc.identifier.uri http://hdl.handle.net/10394/831
dc.description Thesis (M.A. (Afrikaans and Dutch))--Potchefstroom University for Christian Higher Education, 2003.
dc.description.abstract The way in which the construction of personal identity is linked to a person's origins and search for personal roots, is currently a prominent theme in literary texts throughout the world. Likewise, the identity of groups. especially those who suffer from a distorted perception of identity for whatever reason. is also a mailer of great interest in current literature. In both novels, "Die swye van Mario Salviati" (Etienne van Heerden) and "De naam van de vader" (Nelleke Noordervliet), the construction of personal identity is a principal theme. All the main characters discussed in the study. suffer from a stigmatised identity due to socio-political reasons. All these characters eventually achieve self-realization by either searching for their personal roots or identifying with the universal human condition through the myths 01their respective communities. By looking at the past from a new perspective. and by deliberately writing about those events that have previously been avoided, both novels clearly comment upon current social conditions. This dissertation deals with the relationship between origin and the construction of personal and group identity. The theories of philosophy, literature and sociology, and certain aspects of Jungian psychoanalyses are used in the discussion of the novels "Die swye van Mario Salviati" and "De naam van de vader". In the novel "Die swye van Mario Salviati" Ingi Friedlander, one of the main characters, goes through the process of individuation by identifying with the collective stories and archetypal characters 01the small town of Tallejare. The artist Jonty Jack, the other main character, achieves self-realization by confronting the evil nature of his own shadow and accepting the fact that he is a person of mixed blood. In this novel many previously silenced voices are heard and several new shades of meaning are attributed to the identity of the Afrikaner. By looking at history and the stories of the past from a different perspective, by disrupting the idea of the stereotype and by deconstructing so-called patriarchal space, a more inclusive version of Afrikaner identity (previously stigmatised by apartheid) is suggested. The next part of the dissertation deals with the Dutch novel, "De naam van de vader" and the way in which the main character, Augusta de Wit, achieves selfhood. Because she is the illegal daughter of a Dutch mother and a German soldier, born during World War II, she is stigmatised by the community as a 'moffenkind' (German child). At the age of forty-four she finds inner harmony by going in search of and finding her own roots. She then decides to shake off the burden of guilt cast upon herself for being an unwanted child. Augusta's life is influenced largely by the important historical events of her time. In the novel "De naam van de vader" the community is confronted with human suffering because they maintain a silence for almost four decades after the Second World War about some unacceptable aspects of their own history. The novel suggests a greater tolerance for those people burdened by history and the ideological prejudices of the community. It also implies that a greater frankness about events kept silent in the past, might contribute towards finding personal harmony and coming to terms with the community. A comparison of the two novels shows that certain aspects of the construction of personal identity apply to humankind at large. However, it seems that the characters from the European novel are more conscious of their individual personalities than the characters from the South African novel, who are inclined to identify with the group. The different frames of reference that form the topos of the two novels, clearly show that Afrikaans literature can establish a new idiom that uses African motifs without discarding its European roots. The European novel, on the contrary, retains the traditional European metaphorical and mythological material
dc.publisher Potchefstroom University for Christian Higher Education
dc.title Herkoms en identiteit in "Die swye van Mario Salviati" (Etienne van Heerden) en "De naam van de vader" (Nelleke Noordervliet) / M.E. Taljard en
dc.type Thesis en
dc.description.thesistype Masters


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