Musikale karakterisering in Benjamin Britten se opera Billy Budd
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Musical characterisation plays an important role in Britten's operas. The aim of this study was to determine how Britten depicts the diverse, dualistic characters in Billy Budd through music. Ambiguity, which is characteristic of this opera, is the result of the manner in which the plot is portrayed musically through developing motives. The conflict between the diverse characters in Billy Budd is depicted by the thematic material. The musical ideas and motives change as the plot becomes more complex. The method of investigation was, in the first instance, to analyse the musical ideas associated with each character. Second, the manner in which these ideas change through the course of the opera was pointed out. The story does not only concern itself with the relationship between good and evil. The fate of the three main characters, Billy, Vere and Claggart, is precisely the opposite of their true nature. Who they really are, is not reflected in their doings, as depicted by the integrated themes. Billy, the innocent boy, kills. Vere, the father figure, doesn't protect Billy on the day of his conviction. Claggart, who manipulates to have his own way, can't avoid his own death. This study shows that Billy is represented by the stammer figure and Vere by the "Starry Vere" motive. Vere's inner conflict is depicted by the ambiguous combination of a major third and minor third interval. The confusion that eventually leads to Billy's demise is represented by intervals of a perfect fourth, associated with Claggart. During the course of the opera, Vere's music is infiltrated by Claggart's motives. Billy is represented in the opera by the woodwind instruments, Vere by the strings and Claggart by the brass instruments.
- ETD@PUK