| dc.contributor.author | Finbow, Steve | |
| dc.date.accessioned | 2016-06-20T09:26:22Z | |
| dc.date.available | 2016-06-20T09:26:22Z | |
| dc.date.issued | 2010 | |
| dc.identifier.citation | Finbow, S. 2010. The state of audio description in the United Kingdom – from description to narration. Perspectives: studies in translatology, 18(3):215-229. [http://www.tandfonline.com/toc/rmps20/current] | en_US |
| dc.identifier.issn | 0907-676X | |
| dc.identifier.issn | 1747-6623 (Online) | |
| dc.identifier.uri | http://hdl.handle.net/10394/17793 | |
| dc.identifier.uri | http://www.tandfonline.com/doi/full/10.1080/0907676X.2010.485685#abstract | |
| dc.identifier.uri | DOI:10.1080/0907676X.2010.485685 | |
| dc.description.abstract | Audio description and audio narration this article focuses on the problematic
relationship between description and narration, re-examining the pronouncements
of objectivity in broadcast guidelines for audio describers in the United
Kingdom. Using narratological theory and works by members of the various
schools of continental philosophy by way of explication, the article calls for a
more subjective and cultural-historical reference point for audio describers in the
UK. Audio descriptions provided by a professional audio describer are
analysed in reference to the Esper Photo Analysis Machine episode in Ridley
Scott’s 1982 film Blade runner | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Taylor & Francis | en_US |
| dc.subject | Blade runner | en_US |
| dc.subject | audio description | en_US |
| dc.subject | audio narration | en_US |
| dc.subject | film theory | en_US |
| dc.title | The state of audio description in the United Kingdom – from description to narration | en_US |
| dc.type | Article | en_US |
