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dc.contributor.authorDe Kock, Elma
dc.date.accessioned2017-11-06T06:22:00Z
dc.date.available2017-11-06T06:22:00Z
dc.date.issued2015
dc.identifier.citationDe Kock, E. 2015. Sergey prokofiev's Peter and the wolf through an intermedial lens. Mousaion, 33(2):140-154. [https://journals.co.za/content/mousaion/33/2/EJC180268]en_US
dc.identifier.issn0027-2639
dc.identifier.urihttp://hdl.handle.net/10394/26025
dc.identifier.urihttps://journals.co.za/content/mousaion/33/2/EJC180268
dc.description.abstractPeter and the wolf is an intermedial work based on a folk tale originally written and composed by the Russian composer Sergey Prokofiev in 1936 (Hanson and Hanson 1964). Since few recent adaptations of the work in Afrikaans exist, a combined intermedial project was undertaken to recreate the work using practice-based research. The stages of this research method have brought forth a poetic text, the realisation of the original music, illustrations, and a voice artist to read the created text. To accomplish the final artistic product, it was important to obtain a theoretical foundation of practice-based research, intermediality, adaptation and the different media involved in the created word. The intermedial effects between the different media in the project provided the results of the study, stemming not only from the readers' simultaneous experiences of the media as they read or listen to the work but, as it also became clear, from the mutually complementary effects between the different media of which their combination provided a richer final product.en_US
dc.language.isoenen_US
dc.publisherUNISA Pressen_US
dc.subjectAdaptationen_US
dc.subjectIntermedialityen_US
dc.subjectPeter and the Wolfen_US
dc.subjectStages of practice-based researchen_US
dc.titleSergey prokofiev's Peter and the wolf through an intermedial lensen_US
dc.typeArticleen_US
dc.contributor.researchID10076395 - De Kock, Elma


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