The nurturing of creativity in the History classroom through teaching methods – the views of teachers and learners.
Nurturing creative thinking abilities in all learning areas and subjects is one of the cornerstones and ideals of Outcomes-Based Education (OBE) in South Africa. This article reports on the results obtained with a pilot study that set out to determine the extent to which creativity is presently nurtured in the History classroom. A qualitative study by means of semi-structured, one-on-one interviews with learners (n = 4) and teachers (n = 2) of History at a secondary school was conducted to determine learner and teacher perceptions related to the nurturing of creativity through the instructional practices of teachers applied during teaching and learning. The results revealed that the nurturing of creativity has not yet become reality in the History classroom. It was disconcerting to note that direct instruction dominates the teaching and learning of History and that very little opportunity for practical experience and interaction during teaching and learning exists. The article concludes with recommendations to teachers on how to purposefully enhance creativity during the teaching of History. This pilot study was conducted as partial fulfillment of the requirements for a BEd Honours degree, and to set the scene for a more extended study on creative thinking in History with larger groups of learners and teachers.
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Fields, Ziska. (North-West University, 2012)Creativity only recently became the subject of systematic research, specifically over the past two decades. This is largely due to the fact that creativity is often misunderstood due to inconsistencies concerning the ...
Fields, Ziska; Bisschoff, Christo A. (Kamla-Raj Enterprises, 2013)This article develops a theoretical model to measure the creativity of young adults (18 to 25 years of age). Historical creativity approaches, dimensions, models and tests were researched through a literature study in ...
Greyling, Franci (Unisa Press, 2011)The training of creative writers in South Africa requires a programme that is able to address the country’s complex cultural and linguistic composition. There is an increasing awareness of the importance of cultural and ...